May 2-3 & 8-9, 2026
Illuminating New Voices Festival celebrates new work and the artists shaping the future of storytelling. Rooted in a commitment to amplifying diverse voices and expanding access to the arts, it creates space for emerging playwrights and multidisciplinary artists to develop and share original stories that reflect the world we live in and the one we hope to build.
A cornerstone of the season, the festival features a curated lineup of short performances. This year spans two weekends across four nights, showcasing eight original works with fresh perspectives, inventive forms, and deeply human storytelling.
Each festival night features a curated lineup of four original works. Pieces are presented as 20-minute excerpts (or full short plays), with different combinations of works each evening.
performance schedule
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May 2nd - 8pm
The Habit
THERESA
The Milk of Human Kindness
Airborne: The Bessie Coleman Musical
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May 3rd- 2pm
The Captives
Airborne: The Bessie Coleman Musical
BREATHE
In Emily's Words
Panel following show
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May 8th- 8pm
The Habit
THERESA
The Milk of Human Kindness
RED: A New Musical
Panel following show
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May 9th - 8pm
The Captives
In Emily's Words
BREATHE
RED: A New Musical
ABOUT THE SHOWS
The Milk of Human Kindness by J Thalia Cunningham
Getting through airport security is frustrating for everyone involved, including Ariana, a single mother who’s recently been promoted to TSA supervisor. What should she do when a passenger wants to bring more than three ounces of frozen breast milk on a British Airways flight? And the passenger is male . . .and doesn’t have a baby with him. And his name is Abdullah Farooq. Ariana doesn’t want to profile someone on the basis of gender and religion . . .or should she?
In Emily's Words by Jessy Tomsko
In Emily’s Words tells the story of novelist Emily Brontë as she creates her magnum opus: Wuthering Heights. This musical explores the creative process and the world of imagination, with Emily's beloved novel at the center. Her characters leap forth from her pen, trying to inspire while also fighting for agency and immortality. Additionally, this piece follows Emily's own journey, making it neither a full Wuthering Heights adaptation, nor a Brontë biography. Rather, it explores where ideas come from, how they become realized in the world, and how they can go on living after their human creator is gone.
THE CAPTIVES by Barbara Blumenthal-Ehrlich
Professor, a closeted artist at a conservative Midwestern college, has built an unlikely career painting death-row inmates’ last meals on fine china — fascinated by the idea of choice in lives otherwise stripped of options. Pressured by her tenure committee to deepen the work, she travels to Texas to meet Trevor Monroe, the next inmate scheduled to die. But Trevor wants a stay of execution, not a final meal. His demand ignites a media frenzy and traps the artist, the prison warden, and the condemned man in a volatile triangle where power, identity, and survival collide.
Airborne: The Bessie Coleman Musical
Book by Beau Dixon, Lyrics by Jewelle Blackman
AIRBORNE is a musical play about Bessie Coleman (1892 - 1926) who was the first African American aviator—and female—to receive her international pilot’s license from the Federation Aeronautique Internationale in 1921. Bessie astonished audiences with her daring aeronautical tricks and is known as a pioneer of flight who paved the way for future pilots. AIRBORNE is a play about perseverance, passion and the importance of the imagination.
Red: A New Musical by Lawrence Dandridge
RED follows a group of teenagers who, brought together by a web of life-altering circumstances, try to stop their neighborhood community center from being closed by the new Mayor. Inspired by Brothers Grimm tales, RED takes us on a journey of friendship, bravery, and just how many colors life can bring us. RED explores a plethora of intense topics that are relevant and relatable not only on a personal level but mirrored throughout the makeup of our society. From domestic violence and corruption to the effects of absentee parents and rape, RED discusses topics that most urban communities experience but rarely speak on.
THERESA by Naomi Lorrain
Nia's parents strongly disagree with how she and her new partner, Theresa, desire to raise Nia's son. THERESA is a comedic look at what happens when the child rearing methods of a toddler’s intergenerational “village” clash. There’s old school, there’s new school and then there’s just Theresa.
BREATHE by Cynthia Grace Robinson
On Juneteenth, two women, brought together by grief, guilt, and loss, find emotional refuge in a yoga studio after each experiences a tragedy that wreaks havoc on their lives. As they move their bodies, they discover that life is a practice, and as long as they are breathing, their breath holds the opportunity for hope, healing and freedom.
The Habit by Cynthia Cleto
In “The Habit,” Selena is visited by her ward Lauren, whom she helped raise, in the nunnery she has been living in for a few years. Selena has doubts about her and humankind’s beliefs in a God. Lauren has doubts about a human relationship. Although doubt surfaces repeatedly in this play, it is only the catalyst for what is really at stake here, the relationship between the two women. The play explores how our habits can separate us from our true compass, and how doubt can lead to profound examination, and hopefully in eventually living a more authentic life.
About Illuminating New Voices
lluminating New Voices was first introduced as part of Vanguard Theater Company’s continued commitment to investing in new work and emerging voices. The festival’s inaugural presentation was supported through partnerships with the Michael Jordan and Jordan Brand Foundation and the New Jersey Theatre Alliance as part of the Alliance’s Stages Festival. These early partnerships helped establish the foundation for Illuminating New Voices as a platform for commissioning, development, and visibility for new theater makers.
Illuminating New Voices at Vanguard Theater, 2023
MEET OUR PLAYWRIGHTS
jesse tomsko
IN EMILY’S WORDS Jessy Tomsko (book, music, lyrics) is a composer/lyricist/librettist, performer, music director, and teaching artist in New York. She was the recent winner of the Anthem to US writing competition, sponsored by Lincoln Center and Brooklyn Public Library: a win which resulted in a co-write with Drama Desk winners Martha Redbone and Aaron Whitby, two performances at Lincoln Center, and a feature on NBC. Jessy’s theatrical work has been performed and recorded by some of Broadway’s finest, and her musicals have been performed across the country at festivals, concerts, residencies, workshops, and most recently a full production in Florida. She has collaborated with such Broadway directors as Susanna Wolk (Just In Time, & Juliet) and Mia Walker (Jagged Little Pill, Waitress), such fellow writers as Rob Rokicki (The Lightning Thief) and Joe Iconis (Be More Chill), and she has music-directed for Apple TV’s Helpsters, Sesame Street, and Broadway Kids Auditions.
LAWRENCE DANDRIDGE
RED: THE MUSICALLawrence Dandridge is a Newark-based multi-faceted artist. A performer first, Lawrence has a long list of professional credits headlined by his role as Smokey Robinson/Damon Harris in the first National Broadway Tour of Ain’t Too Proud : The Life And Times of The Temptations. A proud member of Actor's Equity Association, he is currently starring in the new off Broadway Musical, ROCK AND ROLL MAN at New World Stages in NYC. He has produced and directed concerts, workshops, readings, and full productions of his original musicals and arrangements throughout New Jersey, New York and California. His debut single "Hard To Tell" is streaming on all listening platforms with an E.P. not too far behind.
Naomi Lorrain
THERESA Naomi Lorrain is a Harlem based actor and playwright. Her plays have been developed by 2nd Stage, South Coast Rep, The Uptown Collective’s Renaissance Residency, and Fault Line Theatre’s Irons in the Fire as well as fully produced by The Continuum Company, The Fire This Time Festival and the Black Motherhood & Parenting Festival. She is an alum of the Page 73 Writers Group and a finalist for the National Playwrights Conference at the Eugene O'Neill Theater Center. Some select acting credits: BROADWAY: EUREKA DAY (MTC); JORDANS (The Public Theater), DAPHNE (Lincoln Center Theater), TV: ORANGE IS THE NEW BLACK (Netflix), ELEMENTARY (CBS), THE GOOD FIGHT (CBS). She also moonlights as a Research Assistant at the Schomburg Center for Research in Black Culture. NYU: MFA; Yale: B.A.
Cynthia Cleto
Cynthia is an actor, writer, and trained scientist who has worked at the intersection of business and life sciences, and facilitated meditation and leadership workshops. She creates to express and experience emotional peaks and valleys, sounds and silences, and the life-like tempo of a scene. In this way, she can experience and share with others at least 99 different lives in her 1 lifetime. Her work as a playwright explores the themes of science in society, relationship dynamics, and the meaning of existence. She studied at HB Studios and the Barrow Group in NYC. Cynthia has written and performed original material at the Moth and the People’s Improv Theater, and been featured in two short films. Also, she believes animals and babies are tiny Buddhas. And she surfs despite some cranky old men in wetsuits in the Jersey Shore. It’s ok because there are dolphins eagerly waiting for her.
THE HABIT
j Thalia Cunningham
THE MILK OF HUMAN KINDNESSA neurodivergent and invisibly disabled playwright, emergency physician, and travel writer, Cunningham’s work has been produced nationally and internationally. Witch Camp was the second place winner in the Henley Rose competition. Published by Smith & Kraus, Applause Theatre Books, and Next Stage Press. Member of the Actor’s Studio Playwrights/Directors Unit; League of Professional Theatre Women; The WorkShop Theater Company. Education: BA, The Johns Hopkins University; MD Drexel (Hahnemann) University College of Medicine. Cunningham has traveled to 140 United Nations destinations, trekking with mujahedeen in Tora Bora, participating in West African voodoo rituals; and talking her way out of an arrest (erroneous) for prostitution in Pakistan. Cunningham is grateful for intimate first-hand knowledge of people in crisis, allowing her to explore society’s challenging issues and serve as a catalyst for further reflection.
Beau Dixon (book)
AIRBORNE: THE BESSIE COLEMAN MUSICALTheatre Credits (Selected): Guys 'n' Dolls, HMS Pinafore (Stratford Festival); Ghost Quartet, Rosmersholm, Summer and Smoke (Crow's Theatre); Marjorie Prime, The Father (Coalmine Theatre); Hamlet, Harlem Duet (Tarragon Theatre) Composer/ Sound Designer: Wedding Band (Stratford Festival); The Big Sleep (Vertigo Theatre); The Shape Of Home: Songs In Search Of Al Purdy (Crow's Theatre/ County Stage); Kensington: The Musical (Sheridan); Airborne: a Bessie Coleman Story (Brooklyn Academy of Music/ Firebrand); Poison (Coalmine Theatre); Cottagers and Indians (Tarragon); Beneath Springhill: The Maurice Ruddick Story (Lunchbox/ Thousand Islands/ Firebrand Theatre) Film and TV Credits (Selected): Station Eleven (HBO/Paramount); The Expanse (Amazon Prime); Ginny and Georgia (Netflix) Other: Recipient of three Dora Mavor Moore Awards, two Toronto Critics Awards, Calgary Critics Award, three Dora Mavor Moore and Betty Mitchell nominations. KM Hunter Award finalist. www.beaudixon.com
Jewelle Blackman (lyrics)
Jewelle Blackman is a Dora nominated Canadian actor, violinist, singer/songwriter and playwright. She recently starred as “Shenzi” in Disney’s the Lion King at the Princess of Wales Theatre in Toronto. Jewelle was also recently seen on Broadway starring as “Persephone” in the Tony and Grammy
winning Best Musical HADESTOWN. The same show where she made her Broadway debut as part of the Original Broadway Cast originating the role of “Contralto Fate”, Jewelle will be returning to her original role for a limited time this summer.
Othertheatre credits include the Canadian premieres of DREAMGIRLS, CAROLINE OR CHANGE, WE WILL ROCK YOU & CROWNS. She’s headlined with the Toronto Symphony and is an Anthem singer at Madison Square Gardens. Her musicals “ROOTED” A Musical Poem and “Boy Boy and The Magic Drum” premiered to critical acclaim at the 2024 Toronto Fringe Festival.
Barbara Blumenthal-Ehrlich
Received 2024 NEA-funded joint commission, Del E. Webb Center (AZ) and Vivid Stage (NJ). 2025 Individual Artist Grant recipient in playwriting, NJ Council for the Arts. Founding member, NJ’s Swan Dive Theatre, devoted to advancing the work of Women+ artists. Produced off-Broadway, internationally, and nationwide in Seattle, Boston, Chicago, San Francisco, L.A., and more. Work developed in NYC at Playwrights Horizons, Second Stage, Rattlestick, Roundabout, Urban Stages; regionally at The Kennedy Center, Actors Theatre of Louisville, Geva, Victory Gardens, Palm Beach Dramaworks. Winner: Beverly Hills Theatre Guild Julie Harris Award, Israel Baran Award, placed in Sundance Playwriting Lab, O’Neill Playwrights Conference, Bay Area Playwrights Festival, the Heideman Award and Princess Grace Fellowship. Nominated for Edmonton’s Elizabeth Sterling Haynes Award, the Susan Smith Blackburn Award and honorable mention, The Kilroy list. Plays and monologues published by Smith & Kraus and Applause.
THE CAPTIVES
Cynthia Grace Robinson
BREATHEPlays include: LETTERS FROM LORETTA (“Not a Moment, But a Movement” Center Theatre Group Commission); FREEDOM SUMMER (NC Black Rep); DANCING ON EGGSHELLS (Billie Holiday Theatre); WHEN NIGHT FALLS (Eugene O'Neill Theater Center); PEOLA'S PASSING (New Perspectives Theatre); ASCENSION (International Black Theatre Festival); THUNDER: A MUSICAL MEMOIR (NYC Fringe); WHAT IF...? (Bishop Arts Theatre Center). Honors include: Playwrights of Color Summit/Quick Silver Theatre; Rising Circle Residency; Nominee, AUDELCO for Excellence in Black Theatre; Finalist, Samuel French OOB; Winner, Inaugural Tribeca All-Access Open Stage. Publications: TinyScripted.com; HOLY GROUND: Plays from The National Black Theatre Festival (TCG); SHE PERSISTED. Monologues from Plays by Women Over 40 (Applause Theatre & Cinema Books). Cynthia is Founder of The Magnolia Play Project, Co-Director of The Fire This Time New Works Lab, Member of The League of Professional Theatre Women, and The Dramatists Guild of America, Inc.
about vanguard theater
Vanguard Theater Company is an award-winning professional theater based in Montclair, New Jersey dedicated to producing work that challenges social and cultural narratives, amplifies diverse voices, and brings communities together through the transformative power of live performance. Through its mainstage productions, educational programs, and community initiatives, Vanguard reaches thousands of artists, students, and audience members each year.
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VANGUARD THEATER COMPANY
Founded in 2015, Vanguard Theater is a not-for-profit company changing social and cultural narratives through theater dedicated to DREAM: Diversity, Reciprocity, Education, Activism & Mentorship. For more information, visit www.VanguardTheaterCompany.org or find us across social media @VTCNJ and #dreamVTC
OUR VISION: To be recognized as a model in the theater community for purposeful inclusion of diverse voices and stories; partnerships that propel cross community conversations; and casting and leadership that reflects our communities.